Please welcome author James Callan today. He has some advice for writers which will help your writing sing.
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| Author James Callan |
Contrast Is What Allows Us to See
Frequently, we receive the
advice to have things coordinated, matching. The pillows should match the
bedspread. The shirt should match the
pants. The earrings should match the necklace.
The furnishing in the house should match.
But it is the contrast that
makes the different pieces stand out.
I had two friends in
college. One was six feet four inches
tall, the center of the basketball team.
(Yes, it was a long time ago when that was actually tall.) His best friend was five feet six inches
tall. Mutt and Jeff, we sometimes called
them. But everybody noticed them when they were walking across campus.
Contrast.
Jewelers will show crystal
clear diamonds on black velvet. Contrast.
A perfectly clear blue sky is
pretty. Put a single, shinning white cloud in the middle. Both the cloud and
the sky become more beautiful, the contrast enhancing both. Bring in an angry, dark thunderhead and you
not only have contrast and beauty, but now you have added drama to the picture.
Robert Parker knew the value
of contrast. He developed a macho
protagonist in Spenser, a wise-cracking, ex-cop with his own code of
honor. But, there is a contrast in Spenser,
as he likes to cook and has a committed relationship with Susan Silverman, a
sophisticated lady and Harvard professor.
And then, to add to the contrast, Parker introduces Hawk. While Spenser
speaks well, sometimes eloquently, Hawk’s speech is abrupt, street talk. Hawk
has his own code, and is a gun for hire. Parker used these contrasts to propel forty
Spenser novels to best-seller status. (Ace
Atkins has continued the Spenser books with two since Parker’s death. Spenser
lives on.)
In my book on character
development (Character: The Heartbeat of
the Novel – Oak Tree Press 2013) I suggest that you develop a sidekick for
the protagonist and that there be a distinct contrast between the two. Make the
sidekick a carbon copy of the protagonist and all you’ve really done is add
another pair of hands. You’ve wasted an opportunity. Here is an opportunity to highlight features
of the protagonist that you’d like to emphasize. In addition, the contrast can
also add small conflicts, and we know that conflict is a core element of the
novel.
In
A Ton of Gold, I pair a street-wise
high school graduate with a near-Ph.D. research computer scientist. Both are intelligent,
but in contrasting ways. Crystal Moore, the protagonist, is highly educated.
Brandi Brewer is street smart. Periodically, Brandi will say to Crystal,
“Didn’t you learn anything as a kid?” Brandi learned a lot growing up on the
street. Crystal learned a lot in classrooms. It is Crystal who learns from
Brandi.
I
highlight their differences throughout the book. This contrast helps emphasize
features of the protagonist that I want to underscore without my beating the
reader over the head. By juxtaposing the two, I can show features without having to tell
the reader. And it is this “opposite type” character, Brandi, who helps Crystal
find her way to the solution – well, at least for the subplot.
So,
remember to use this important writer’s tool, contrast, to emphasize certain
things, to add minor (or major) conflicts, to bring additional drama into the
story, to improve your novel.
James
R. Callan
A
Ton of Gold, Oak Tree Press, 2013
Character:
The Heartbeat of the Novel, Oak
Tree Press, 2013
A
Ton of Gold
A contemporary mystery / suspense novel
Can long forgotten, old folk
tales affect the lives of people today? In A Ton of Gold, one certainly
affected young, brilliant Crystal Moore.
Two people are killed, others threatened, a house burned and an office
fire-bombed – all because of an old folk tale, greed and ignorance.
On top of that, the man who
nearly destroyed Crystal emotionally is coming back. This time he can put an end to her
career. She’ll need all the help she can
get from a former bull rider, her streetwise housemate and her feisty 76
year-old grandmother.
A Ton of Gold
By James R. Callan
From Oak Tree Press, Feb.
2013